Anthony Doerr

Novelist

1973-10-27

Quotes by Anthony Doerr

• He sweeps her hair back from her ears; he swings her above his head. He says she is his merveillement. He says he will never leave her, not in a million years.

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• Up and down the lanes, the last unevacuated townspeople wake, groan, sigh. Spinsters, prostitutes, men over sixty. Procrastinators, collaborators, disbelievers, drunks. Nuns of every order. The poor. The stubborn. The blind.

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• Did time move forward, through people, or did people move through it, like clouds across the sky?

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• A girl got kicked out of the swimming hole today. Inge Hachmann. They said they wouldn't let us swim with a half-breed. Unsanitary. A half-breed, Werner. Aren't we half-breeds too? Aren't we half our mother, half our father?

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• You must never stop believing. That's the most important thing.

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• Winkler's breath plumed up onto his glasses. The entire valley was enveloped in a huge, illuminated stillness. Above him the clouds had pulled away and the sky burned with stars. The meadow smoldered with light, and the spruce had become illuminated kingdoms, snow sifting from branch to branch. He thought: This has been here every winter all my life.

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• Even the poorest pit houses usually possess a state-sponsored Volkempfanger VE301, a mass-produced radio stamped with an eagle and a swastika, incapable of shortwave, marked only for German frequencies.Radio: it ties a million ears to a single mouth. Out of loudspeakers all around Zollverein, the staccato voice of the Reich grows like some imperturbable tree; its subjects lean toward its branches as if toward the lips of God.

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• You know the greatest lesson of history? It's that history is whatever the victors say it is...Whoever wins, that's who decides the history.

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• But the huge bowl of the sky remains untracked: no zeppelins, no bombers, no superhuman paratroopers, just the last songbirds returning from their winter homes, and the quicksilver winds of spring transmuting into the heavier, greener breezes of summer.

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• Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

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• That afternoon, long after the stool has been put away and the waltzes have stopped, while Werner sits with his transceiver listening to nothing, a little redheaded girl in a maroon cape emerges from a doorway, maybe six or seven years old, small for her age, with big clear eyes that remind him of Jutta's. She runs across the street to the park and plays there alone, beneath the budding trees, while her mother stands on the corner and bites the tips of her fingers. The girl climbs into the swing and pendulums back and forth, pumping her legs, and watching her opens some valve in Werner's soul. This is life, he thinks, this is why we live, to play like this on a day when winter is finally releasing its grip.

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• Posters go up in the market, on tree trunks in the Place Chateaubriand. Voluntary surrender of firearms. Anyone who does not cooperate will be shot.

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• They can march for days without eating. They impregnate every schoolgirl they meet.

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• Stick-thin, alabaster-pale Etienne LeBlanc runs down the rue de Dinan with Madame Ruelle, the baker's wife, on his heels: the least-robust rescue ever assembled.

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• What the war did to the dreamers.

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• What the war did to dreamers.

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• War is a bazaar where lives are traded like any other commodity: chocolate or bullets or parachute silk.

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• This, she realizes, is the basis of all fear. That a light you are powerless to stop will turn on you and usher a bullet to its mark.

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• Life is wonderful and strange...and it's also absolutely mundane and tiresome. It's hilarious and it's deadening. It's a big, screwed-up morass of beauty and change and fear and all our lives we oscillate between awe and tedium. I think stories are the place to explore that inherent weirdness; that movement from the fantastic to the prosaic that is life....What interests me— and interests me totally— is how we as living human beings can balance the brief, warm, intensely complicated fingersnap of our lives against the colossal, indifferent, and desolate scales of the universe. Earth is four-and-a-half billion years old. Rocks in your backyard are moving if you could only stand still enough to watch. You get hernias because, eons ago, you used to be a fish. So how in the world are we supposed to measure our lives— which involve things like opening birthday cards, stepping on our kids' LEGOs, and buying toilet paper at Safeway— against the absolutely incomprehensible vastness of the universe? How? We stare into the fire. We turn to friends, bartenders, lovers, priests, drug-dealers, painters, writers. Isn't that why we seek each other out, why people go to churches and temples, why we read books? So that we can find out if life occasionally sets other people trembling, too?

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• Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.

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