August Wilson
Playwright
1945-04-27 – 2005-10-02
August Wilson was an American playwright known for the Pittsburgh Cycle, a series of ten plays about African American life in the 20th century. He received two Pulitzer Prizes for Drama.
Quotes by August Wilson
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I been with strangers all day and they treated me like family. I come in here to family and you treat me like a stranger.
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Black Mary: Leroy. And John. And Cujoe. And Sam. And Robert. One after the other they come and they go. You can't hold on to none of them. They slip right through your hands. They use you up and you can't hold them. They all the time taking till it's gone. They ain't tried to put nothing to it. They ain't got nothing in their hand. They ain't got nothing to add to it. They too busy taking. They taking 'cause they need. You can't blame them for that. They so full of their needs they can't see you. Now here you come. You don't even know what you need. All you see is a woman. You can't see nothing else. You can't think nothing else. That blinds you. (Black Mary turns to him. A new thought occurs to her.)Okay, Mr. Citizen. I'll come to your room tonight. But the morning got to come, Mr. Citizen. What you got then? You tell me tomorrow. You wake up and look at your hands and see what you got. Citizen: I got me. That's all there is. Black Mary: That ain't never gonna be enough.
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I been with strangers all day and they treated me like family. I come in here to family and you treat me like a stranger.
Read quote -
Black Mary: Leroy. And John. And Cujoe. And Sam. And Robert. One after the other they come and they go. You can't hold on to none of them. They slip right through your hands. They use you up and you can't hold them. They all the time taking till it's gone. They ain't tried to put nothing to it. They ain't got nothing in their hand. They ain't got nothing to add to it. They too busy taking. They taking 'cause they need. You can't blame them for that. They so full of their needs they can't see you. Now here you come. You don't even know what you need. All you see is a woman. You can't see nothing else. You can't think nothing else. That blinds you. (Black Mary turns to him. A new thought occurs to her.)Okay, Mr. Citizen. I'll come to your room tonight. But the morning got to come, Mr. Citizen. What you got then? You tell me tomorrow. You wake up and look at your hands and see what you got. Citizen: I got me. That's all there is. Black Mary: That ain't never gonna be enough.
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Blues is the bedrock of everything I do. All the characters in my plays, their ideas and attitudes, the stance they adopt in the world, are all ideas and attitudes that are expressed in the blues.
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Suffice it to say, I'm not poor.
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Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history.
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I haven't read Ibsen, Shaw, Shakespeare - except 'The Merchant of Venice' in ninth grade. I'm not familiar with 'Death of a Salesman.' I haven't read Tennessee Williams.
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I had always been fascinated with Napoleon because he was a self-made emperor; Victor Hugo said, 'Napoleon's will to power,' and it was the title of my paper. And I submitted it to my teacher, and he didn't think I had written it. And he wanted me to explain it to him.
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I don't look at our society today too much. My focus is still in the past, and part of the reason is because what I do - the wellspring of art, or what I do - l get from the blues. So I listen to the music of a particular period that I'm working on, and I think inside the music is clues to what is happening with the people.
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Like most people, I have this sort of love-hate relationship with Pittsburgh. This is my home, and at times I miss it and find it tremendously exciting, and other times I want to catch the first thing out that has wheels.
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As soon as white folks say a play's good, the theater is jammed with blacks and whites.
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Blacks have traditionally had to operate in a situation where whites have set themselves up as the custodians of the black experience.
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The most valuable blacks are those in prison, those who have the warrior spirit, who had a sense of being African. They got for their women and children what they needed when all other avenues were closed to them.
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Confront the dark parts of yourself, and work to banish them with illumination and forgiveness. Your willingness to wrestle with your demons will cause your angels to sing.
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I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
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