Dan Stevens
Actor
1982-10-10
Quotes by Dan Stevens
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Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.
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I never quite toed the line. I was a bit disruptive. All my early school reports from the age of 5 were 'Daniel must learn not to distract others.' And now, that's what I do for a living.
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All my early school reports from the age of 5 were 'Daniel must learn not to distract others.'
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Soap opera seems to be a dirty word, but actually they are the most popular shows we have. People want to know what happens next, people hate the villains and love the lovers. It's good, fun TV. But I wouldn't call 'Downton' a soap opera as such.
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Soap opera seems to be a dirty word, but actually they are the most popular shows we have.
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I have only recently got interested in film, and it is a strange way of working in many ways. But actually, when it is at its best, it's quite an extraordinary way of working between a director and an actor, to really explore an inner life.
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Not a lot of people would think that I spent most of my early years totally rebelling against anything I could, getting suspended from school, going on demonstrations.
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I'm shocked at being recognized. You go to places you don't think you would be and still, you are. Taxi drivers often recognise me... but I haven't got a free ride yet.
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But even writing the column for the 'Telegraph,' that idea of working to deadlines, which as an actor that's not something you have to do in the same way. It's excited me into wanting to do a bit more.
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People look at me, they know I've appeared in costume dramas and they automatically assume I must be a Tory, I must be a certain type of person.
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I've had to learn when not to tweet. Like, you learn how to keep your mouth shut? Learn to keep your tweet shut.
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The female attention I have to struggle hardest with is from my two-year-old daughter.
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A British porch is a musty, forbidding non-room in which to fling a sodden umbrella or a muddy pair of boots; a guard against the elements and strangers. By contrast the good ol' American front porch seems to stand for positivity and openness; a platform from which to welcome or wave farewell; a place where things of significance could happen.
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At the age of 11 I was about 6 ft. tall and my voice had completely broken. That caused problems. I was this gangly, spotty, very unattractive kid. I wasn't cool and I wasn't a nerd. I didn't even want to fit in with anyone.
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At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
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The comfort zone is the great enemy to creativity; moving beyond it necessitates intuition, which in turn configures new perspectives and conquers fears.
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