David Bergen
Novelist
1957-01-14
Quotes by David Bergen
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Hope had finally learned to live in the present. Often, when she found herself in a space of tremendous comfort, usually out in nature, or when her children were safe all around her and on the verge of going to bed, she forced herself to take stock. Here you are, Hope, she told herself. What a beautiful moment. You may never again be here at this spot, enjoying the calm. This habit of hers, to acknowledge the immediate and elusive joy of the present, kept her sane.
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-And what would you do if you lost a child?-I would think I was going to die, Elena said. But I wouldn't. I learned long ago that I must give up my child to the earth, to God, to the world, to death, to the possibility of death, to the possibility of disease, and in doing so I became at peace. Because I had let my child go. And in letting the child go, I became colder, more distant, and more at peace. But I still loved the child, don't be wrong. As you love your child. I am sorry.
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Hope had finally learned to live in the present. Often, when she found herself in a space of tremendous comfort, usually out in nature, or when her children were safe all around her and on the verge of going to bed, she forced herself to take stock. Here you are, Hope, she told herself. What a beautiful moment. You may never again be here at this spot, enjoying the calm. This habit of hers, to acknowledge the immediate and elusive joy of the present, kept her sane.
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-And what would you do if you lost a child?-I would think I was going to die, Elena said. But I wouldn't. I learned long ago that I must give up my child to the earth, to God, to the world, to death, to the possibility of death, to the possibility of disease, and in doing so I became at peace. Because I had let my child go. And in letting the child go, I became colder, more distant, and more at peace. But I still loved the child, don't be wrong. As you love your child. I am sorry.
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I usually submit a novel at a certain number of words, and when I've finished working with my editor, the novel is longer than when I submitted it. I need my editor to help me open up the story.
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When I get moved to write a story, I don't question the story. I dive right in, and I try to ignore the voices that are chattering away at me: 'You can't do that', 'You shouldn't do that'. I just sort of leap and take a chance and go for it.
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Failure is essential. Trial and error is necessary.
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I gave up writing for seven years (very biblical) and picked it up again, still clueless and still seeking the exotic, when I was twenty-one.
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