David Leitch

Books by David Leitch

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The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic.
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People want to be empowered to the point where they can thwart their enemies physically.
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Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film.
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You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.
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Spies go undercover. They take on different personas.
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If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll.
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In the stunt world, fights and vehicles are often two different disciplines.
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