Donna Tartt

Novelist

1963-12-23

Quotes by Donna Tartt

• What's worth living for? what's worth dying for? what's completely foolish to pursue?

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• But, if I dare say it, it wasn't until I had helped kill a man that I realized how elusive and complex an act a murder can actually be, and not necessarily attributable to one dramatic motive.

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• It seems to me that psychology is only another word for what the ancients called fate.

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• Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world postmodernist.

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• What do you think about America?Everyone always smiles so big! Well— most people. Maybe not so much you. I think it looks stupid.

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• But does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end-and yet to know as well, despite all this, as cruelly as the game is stacked, that it's possible to play it with a kind of joy?To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I've been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it's there.

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• The little white bundle— toddling dutifully down the hall to the front door— froze. Then a high-pitched scream as he began to run as fast as he could (which was not very fast at all, any more) and Boris— whooping with laughter— dropped to his knees."Oh!" snatching him up, as Popchik wriggled and struggled. "You got fat! He got fat!" he said indignantly as Popchik jumped up and kissed him on the face. "You let him get fat! Yes, hello, poustyshka, little bit of fluff you, hello! You remember me, don't you?" He had toppled over on his back, stretched out and laughing, as Popchik— still screaming with joy— jumped all over him. —He remembers me!

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• It was like waking from a nightmare to a worse nightmare.

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• their reality was far more interesting than any idealized version could possibly be

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• I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life?

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• Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?

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• That surge of power and delight, of confidence, of control. That sudden sense of the richness of the world. Its infinite possibility.

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• What if one happens to be possessed of a heart that can't be trusted— ? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?

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• How much did she remember? I wondered, afire with humiliation yet unable to tear my eyes from her. It wasn't the kind of thing you could ask but still I wanted to know. Did she have nightmares too? Crowd fears? Sweats and panics? Did she ever have the sense of observing herself from afar, as I often did, as if the explosion had knocked my body and my soul into two separate entities that remained about six feet apart from one another? Her gust of laughter had a self-propelling recklessness I knew all too well from wild nights with Boris, an edge of giddiness and hysteria that I associated (in myself, anyway) with having narrowly missed death. There had been nights in the desert where I was so sick with laughter, convulsed and doubled over with aching stomach for hours on end, I would happily have thrown myself in front of a car to make it stop.

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• This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game.

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• ...as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch.

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• A different and much deeper sort of beauty altogether. The thing and yet not the thing.

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• Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships.

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• Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Never mind that half a dozen jerks are clustered round the same person, just because they've been duped by the same pair of eyes.

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• Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?— he said. "It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, "more like deer than human being.' To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.

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