Jonathan Stroud
Author
1970-10-27
Quotes by Jonathan Stroud
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The Evasive Cartwheel ™ © etc., Bartimaeus of Uruk, circa. 2800 B.C.E. Often imitated, never surpassed. As famously memorialized in the New Kingdom tomb paintings of Ramses III— you can just see me in the background of The Dedication of the Royal Family before Ra, wheeling out of sight behind the pharaoh.
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A dozen more questions occurred to me. Not to mention twenty-two possible solutions to each one, sixteen resulting hypotheses and counter-theorems, eight abstract speculations, a quadrilateral equation, two axioms, and a limerick. That's raw intelligence for you.
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His rapier was at his belt, glittering as he swung. He reached down, ripped the sword clear. I jumped over a slashing frond of plasm, spun round with the water bottle in my hand. I hurled it across to Lockwood. George threw his rapier to me.Watch this now. Sword and bottle, sailing through the air, twin trajectories, arching beautifully through the mass of swirling tendrils towards Lockwood and me. Lockwood held out his hand. I held out mine.Remember I said there was that moment of sweet precision when we gelled perfectly as a team?Yeah, well. This wasn't it.The rapier shot past, missing me by miles. It skidded halfway across the floor. The bottle struck Lockwood plumb in the centre of his forehead, knocking him through the window.There was a moment's pause.'Is he dead?' the skulls voice said 'Yay! Oh. No, he's hanging onto the shutters. Shame. Still, this is defiantly the funniest thing I've ever seen. You three really are incompetence on a stick
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If anyone else asked that question, O He Who Is Terrible and Great, I would have said they were an ignorant fool; in you it is a sign of the disarming simplicity which is the fount of all virtue.
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And then, as if written by the hand of a bad novelist, an incredible thing happened.
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Ah, two firm friends, reunited at last! There should be sweet violin music playing for us, but I'll settle for the screams of the dying.
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Can you define plan as a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance? If so, it was a very good plan.
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Check out that one at the end. He's taken the form of a footstool. Weird...but somehow I like his style.That is a footstool.
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His rapier was at his belt, glittering as he swung. He reached down, ripped the sword clear. I jumped over a slashing frond of plasm, spun round with the water bottle in my hand. I hurled it across to Lockwood. George threw his rapier to me.Watch this now. Sword and bottle, sailing through the air, twin trajectories, arching beautifully through the mass of swirling tendrils towards Lockwood and me. Lockwood held out his hand. I held out mine.Remember I said there was that moment of sweet precision when we gelled perfectly as a team?Yeah, well. This wasn't it.The rapier shot past, missing me by miles. It skidded halfway across the floor. The bottle struck Lockwood plumb in the centre of his forehead, knocking him through the window.There was a moment's pause.'Is he dead?' the skulls voice said 'Yay! Oh. No, he's hanging onto the shutters. Shame. Still, this is defiantly the funniest thing I've ever seen. You three really are incompetence on a stick
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Can you define plan as a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance? If so, it was a very good plan.
Read quote -
A dozen more questions occurred to me. Not to mention twenty-two possible solutions to each one, sixteen resulting hypotheses and counter-theorems, eight abstract speculations, a quadrilateral equation, two axioms, and a limerick. That's raw intelligence for you.
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If anyone else asked that question, O He Who Is Terrible and Great, I would have said they were an ignorant fool; in you it is a sign of the disarming simplicity which is the fount of all virtue.
Read quote -
Check out that one at the end. He's taken the form of a footstool. Weird...but somehow I like his style.That is a footstool.
Read quote -
Ah, two firm friends, reunited at last! There should be sweet violin music playing for us, but I'll settle for the screams of the dying.
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The Evasive Cartwheel ™ © etc., Bartimaeus of Uruk, circa. 2800 B.C.E. Often imitated, never surpassed. As famously memorialized in the New Kingdom tomb paintings of Ramses III— you can just see me in the background of The Dedication of the Royal Family before Ra, wheeling out of sight behind the pharaoh.
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And then, as if written by the hand of a bad novelist, an incredible thing happened.
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As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.
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Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.
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I used to have quite long hair, and I decided that I wanted to get it cut. I'd never met the person who did it, and she cut it into some kind of dreadful mullet. It looked like a triangle on my head. The other kids were merciless.
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I like to have my characters talking in an up-to-date way, and I like their essentially modern self-awareness, which means we can have lots of irony and jokes.
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