Jordan Peele
Director
1979-02-21
American filmmaker, actor, writer, and producer known for directing Get Out, Us, and Nope. He first gained wide recognition as one half of the comedy duo Key & Peele.
Books by Jordan Peele
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Get Out
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Quotes by Jordan Peele
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You can track elections by who was playing that president on 'SNL' at that time. There's the theory that the more likable or charismatic impression would help get the president elected.
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Racism comes in many different forms. Sometimes it's subtle, and sometimes it's overt. Sometimes it's violent, and sometimes it's harmless, but it's definitely here. It's something that I think we're all guilty of, and we just have to make sure that we deal with our own personal racism in the right way.
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Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
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The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
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I was a very scared child. Not, you know, not so much of life but of the demons that lurked in the dark. And horror movies terrified me. You know, I'd love watching them but then at night, I would just be up in sweats all night.
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I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
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We go to the theater to be entertained, but if what is left after you watch the movie is a sort of eye-opening perspective on some social issues, then it can be a really powerful piece of art.
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I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
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I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.
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Nobody wants to see sketch comedy that's the same sketch they've seen time and time again, or that's just a rehash of that thing.
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You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else.
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There is something transformative if you're a black person cheering in a theater and turn to see a white person cheering for the same thing you are.
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I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
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As a black man, sometimes you can't tell if what you're seeing has underlying bigotry, or it's a normal conversation and you're being paranoid. That dynamic in itself is unsettling. I admit sometimes I see race and racism when its not there.
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Now that the black experience isn't viewed as box-office death, people are catching up to untapped auteurs.
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I want to produce untapped voices, find people and help them get their platform.
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I define 'social thriller' as thriller/horror movies where the ultimate villain is society.
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