Jose Antonio Vargas

Journalist

1981-02-03

Books by Jose Antonio Vargas

Dear America
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The Best American Nonrequired Reading 2012
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Quotes by Jose Antonio Vargas

The more successful I got, the more scared I got. My name was all over Google. I had a Wikipedia page I was terrified to look at. And so I just snapped. I thought, 'If I'm going to come out with this, I'm going to do it in a big way. And not just for myself. This can't just be my story.'
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I can't marry my way into citizenship like straight people can. I can get married in the state of New York where I live, but because of the Defense of Marriage Act, the federal government, which hands out visas, won't recognize my marriage.
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My mother made a choice. And when I was younger, I judged her for making that choice. Then I got older and got to be an adult, and I realized that was the ultimate sacrifice that any parent and any mother could possibly make.
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You know, I'm one of millions of undocumented people in this country who are living kind of under the shadows. And in many ways, coming out, it was my way of - at the end of the day, I think we have to tell the truth about this immigration system. And because of that, I had to tell the truth about myself.
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Undocumented people get arrested all the time. I get arrested, and it's front-page news. I feel guilt.
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I am undoubtedly one of the more, if not the most, privileged undocumented immigrants in America. And for us at Define American, which is this culture campaign group that I founded with some friends, culture trumps politics.
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On the surface, I've created a good life. I've lived the American dream. But I am still an undocumented immigrant.
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When you're undocumented, you're supposed to keep your head down and be quiet and pay taxes, social security - even though people don't know that we do those things - and not say anything.
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In Tagalog, we call undocumented people 'TNT,' which means tago ng tago, which means 'hiding and hiding.' So that's literally what undocumented means in Tagalog. And that kind of tells you how Filipinos think of this issue, and really any culture, right?
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I remember the first article I ever wrote, and I saw my name in the paper, and I already knew I was undocumented, and I was thinking: 'How can they now say I don't exist?'
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As a newcomer to America who learned to 'speak American' by watching movies, I firmly believe that to change the politics of immigration and citizenship, we must change culture - the way we portray undocumented people like me and our role in society.
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I'm a gay, undocumented immigrant; I have to be optimistic.
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The story of undocumented immigrants in this country is not just about undocumented immigrants. It's about the country as a whole, and it's about us being able to tell the truth about where we are with this issue because we haven't been telling the truth about where we are with this issue.
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Of all the questions I get asked as an undocumented immigrant in the United States, there are two - asked in various permutations via email, social media or in person - that chill me to the bone: 'Why don't you just make yourself legal?' And: 'Why don't you get in the back of the line?'
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There were many factors as to why I decided to come out as being undocumented. One of them is because I look the way that I look; I don't look like the 'stereotypical undocumented' person.
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The fact of the matter is, this country is not going to deport 11 million undocumented immigrants. What are we supposed to do with them? What are we supposed to do with these kids?
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While in high school, I worked part time at Subway, then at the front desk of the local YMCA, then at a tennis club, until I landed an unpaid internship at 'The Mountain View Voice,' my hometown newspaper.
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To me, politics is culture. I became a journalist, and later a filmmaker, to get to know my new country and my volatile place in it as a gay, undocumented Filipino-American.
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Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
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