Neil Gaiman

You're alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you change the world, the world will change.

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You get on with your own life. Lettie gave it to you. You just have to grow up and try and be worth it.

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But between now and then, there was Life; and Bod walked into it with his eyes and his heart wide open.

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~I hope that in this year to come, YOU make mistakes. Because if YOU are making mistakes, then YOU are making NEW things, trying NEW things, learning, living, pushing YOURself, changing YOURself, changing YOUR world. YOU're doing things YOU've never done before, n MORE importantly, YOU're doing something~

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...but fear of death gives us strength.

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I wanted stories, and I wanted them always, and I wanted the experience that only fiction could give me: I wanted to be inside them.

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Fiction gives us empathy: it puts us inside the minds of other people, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.

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Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.

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You're as plain as the nose on your face,— said Mr. Pennyworth. —And your nose is remarkably obvious. As is the rest of your face, young man. As are you. For the sake of all that is holy, empty your mind. Now. You are an empty alleyway. You are a vacant doorway. You are nothing. Eyes will not see you. Minds will not hold you. Where you are is nothing and nobody.

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Nobody actually looks like what they really are on the inside. You don't. I don't.

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Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives

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I had forgotten what fiction was to me as a boy, forgotten what it was like in the library: fiction was an escape from the intolerable, a doorway into impossibly hospitable worlds where things had rules and could be understood; stories had been a way of learning about life without experiencing it, or perhaps of experiencing it as an eighteenth-century poisoner dealt with poisons, taking them in tiny doses, such that the poisoner could cope with ingesting things that would kill someone who was not inured to them. Sometimes fiction is a way of coping with the poison of the world in a way that lets us survive it.

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The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong.

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The beautiful illusion of fiction is that everything makes sense and that there was a purpose, that there was a point to it all. And that's the best possible lie because it may even be true.

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You aren't allowed out of the graveyard -it's aren't, by the way, not amn't, not these days-because it's only in the graveyard that we can keep you safe. This is where you live and this is where those who love you can be found. Outside would not be safe for you. Not yet.

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He was having more fun than a barrelful of monkeys.**Several years earlier Spider had actually been tremendously disappointed by a barrelful of monkeys. It had done nothing he had considered particularly entertaining, apart from emit interesting noises, and eventually, once the noises had stopped and the monkeys were no longer doing anything at all— except possibly on an organic level— had needed to be disposed of in the dead of night.

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Television and cinema were all very well, but these stories happened to other people. The stories I found in books happened inside my head. I was, in some way, there.It's the magic of fiction: you take the words and you build them into worlds.

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You know I love you,' said the other mother flatly.'You have a very funny way of showing it,' said Coraline.

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The black bird cocked its head to one side, and then said, in a voice like stones being struck, 'You shadow man.''I'm Shadow,' said Shadow. The bird hopped up onto the fawn's rump, raised its head, ruffled its crown and neck feathers. It was enormous and its eyes were black beads. There was something intimidating about a bird that size, this close.'Says he will see you in Kay-ro.' tokked the raven. Shadow wondered which of Odin's ravens this was: Huginn or Munnin, Memory or Thought.'Kay-ro?' he asked.'In Egypt.''How am I going to go to Egypt?''Follow Mississippi. Go south. Find Jackal.''Look,' said Shadow, 'I don't want to seem like I'm-- Jesus, look...' he paused. Regrouped. He was cold, standing in a wood, talking to a big black bird who was currently brunching on Bambi. 'Okay. What I'm trying to say is I don't want mysteries.''Mysteries,' agreed the bird helpfully.'What I want is explanations. Jackal in Kay-ro. This does not help me. It's a line from a bad spy thriller.

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Fiction is the lie that tells the truth, after all.

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Quotes by Neil Gaiman