Raphael Bob-Waksberg

Comedian

1984-08-17

Quotes by Raphael Bob-Waksberg

For so many families, here and abroad, the war is just beginning. The emotional and political fallout will crawl across generations— the casualties can never be fully counted.Every war, no matter how brutal, is built on the premise that one day, when all is said and done, the ends will justify the means. But over and over again we learn that in real life, there is no ends. There's just the means. All there is is means.
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Every war, no matter how brutal, is built on the premise that one day, when all is said and done, the ends will justify the means. But over and over again we learn that in real life, there is no ends. There's just the means. All there is is means.
Read quote
Every war, no matter how brutal, is built on the premise that one day, when all is said and done, the ends will justify the means. But over and over again we learn that in real life, there is no ends. There's just the means. All there is is means.
Read quote
For so many families, here and abroad, the war is just beginning. The emotional and political fallout will crawl across generations— the casualties can never be fully counted.Every war, no matter how brutal, is built on the premise that one day, when all is said and done, the ends will justify the means. But over and over again we learn that in real life, there is no ends. There's just the means. All there is is means.
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That's all life is, I guess. Just a bunch of riffs. Look at me: I'm wearing a tie. Why am I wearing a tie? It's because I saw an adult wear a tie and I thought, Oh, that's what people do. We're all just trying to be what an adult is.
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When I first moved to Los Angeles, I was staying with a friend of a friend of a friend up in the Hollywood Hills. I was in this tiny little closest paying $400 a month in this beautiful house.
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I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
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I'm mostly interested in characters and how they manifest themselves in their relationships. I'm delighted that people relate to the characters in 'Bojack,' and hopefully they will too to the characters in 'Undone.' If they understand themselves or feel seen in a new way, I think that's a wonderful thing.
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I was doing this really wacky sketch comedy but at the same time writing these dark, cerebral plays about characters coming to grips with their loneliness and heartbreak. My dream job has always been a way to combine the two. I would say 'BoJack Horseman' is the culmination of all of that.
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In 'Bojack,' at least at first, we had to couch some of the sadder or weirder or introspective stuff we were doing in the costume of a typical adult animated comedy. With 'Undone,' it felt like we'd outgrown that expectation.
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There's a widening of an idea of what a TV show can be or how it can be told, and that's partially in the diversity of the creators and the stories. Because there are so many new networks and streaming services popping up every day that need more content, there are more opportunities to take risks.
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