Ron Howard

My folks met at the University of Oklahoma, in the theater department in the 1940s. They were married touring the country in 'Cinderella' and 'Snow White.' My mother was married in Cinderella's costume; the dwarves were the best men.

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When 'Apollo 13' appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.

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When I realized that my big dream was going to come true - 'Night Shift' was a success, 'Splash' was a success, I got the job to do 'Cocoon' - suddenly, I was underway. And I knew my name was rising up the lists. I was going to have a career. I was going to be able to direct movies until I screwed it up.

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I have a grandson who's both really interested in art and all things mechanical, so I think he'll get a huge kick out of 'Apollo 13' someday. And I think my granddaughters will enjoy 'Splash.'

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Anything that stimulates the public's imagination about the nobility and the importance of space exploration is something that I'm very excited to be a part of.

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Why fight technology at all? The audience is always going to tell you what they like best. And you, as a storyteller, as a communicator, are going to be required to adjust to that.

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Instead of candidates hiring people, like yours truly, to create campaign media that works on both conscious and subconscious levels to sway the voting public, what if all TV ads were, by law, only allowed to feature the candidate, with, say, the American flag as the backdrop, alone, speaking directly to the camera?

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I don't choose something unless I think I have a personal understanding and something I can offer. It's not always thematic. I wanted to do 'The Grinch' because I wanted to direct Jim Carrey creating that kind of comic fantasy character live. I just thought that would be a mind-blowing experience, and it creatively was.

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I love all kinds of stories and movies, and I did work hard to get through to the creative community and studio executives that I could work in a number of different genres and tones.

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I was a Beach Boys guy, but I was won over. In '64, as the radio stations were creating this duel between The Beatles and The Beach Boys, I slowly but surely got won over by the Mop Tops.

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I think it gets overused and tossed around in ways that aren't true. Every impressive achievement is not genius.

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There are all these great TV series; you can watch all these hours and hours of shows and ideas, but there's still something great about a movie that unfolds in a couple of hours, and you have the complete experience.

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I want to work. I'd be unsatisfied if I couldn't be pursuing this. But I love my family more. This is really life.

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When you're young and you're striving, it's all uphill, and it's easier to climb. Then, when you get and look around, you sort of say, 'Wow, the altitude's kinda thin up here!'

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I have very close friends who are very devout Catholics, and I talked to them before the 'Da Vinci Code,' and it was very difficult for them, but I talked to them before 'Angels and Demons,' and they said the scandal, abuse of power and violence was part of church history, which you can read about in the Vatican bookstore.

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When you're an actor, you often feel victimized - you see the end result, 'Oh, they didn't use this take; they didn't use that take. How come?' There's no 'How come?' with the director. There's only one person to look at. Walk over to the mirror if you want to know why. But I prefer that.

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I developed a theory that, in many ways, the early 'Andy Griffith' episodes especially were an awful lot like a Capra movie. They were a lot like 'Mr. Deeds' or a lot like 'It's a Wonderful Life' in tone and presentation.

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Quotes by Ron Howard