Ruth Ozeki
Novelist
1956-03-12
Quotes by Ruth Ozeki
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True freedom comes from being unknown.
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She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
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What is it that frightens us about a novel of causes, and conversely, does fiction have to exist in some suspended, apolitical landscape in order to be literary? Can it not politically and temporally specific and still be in good literary taste? We are leery of literature that smacks of the polemic, instructional, or prescriptive, and I guess rightly so--it's a drag to be lectured to--but what does that imply about our attitudes towards intellectual inquiry? While I enjoy reading kitchen-table novels in which characters are distilled to their emotional essence and their lives stripped of politics and commerce, it simply is not reflective of my experience. I see our lives as being a part of an enormous web of interconnected spheres, where the workings of the larger social, political, and corporate machinery impact something as private and intimate as the descent of an egg through a woman's fallopian tube. This is the resonance I want to conjure in my books.I want to write novels that engage the emotions and the intellect, and that means going head to head with the chaos of evils and issues that threaten to overpower us all. And if they threaten to overpower the characters, then I have to make the characters stronger.
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Do all kids have to worry about their parents' mental health? The way society is set up, parents are supposed to be the grown-up ones and look after the kids, but a lot of times it's the other way around.
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Patience was part of his nature, and he accepted his lot as a short-lived mammal, scurrying in and out amid the roots of the giants.
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We're by-products of the mid-twentieth century, Oliver said. Who isn't?
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By changing our history and our memory, they try to erase all our shame.
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We place such crazy importance on physical appearance in our image-obsessed culture, on youth and beauty to define our sense of self-worth, that aging, by default, becomes a kind of defect, something secret and corrosive and shameful.
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In my heart, I am American, and I believe I have a free will and can take charge of my own destiny.
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I would like to think of my 'ignorance' less as a personal failing and more as a massive cultural trend, an example of doubling, of psychic numbing, that characterizes the end of the millennium. If we can't act on knowledge, then we can't survive without ignorance.
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I would like to think of my 'ignorance' less as a personal failing and more as a massive cultural trend, an example of doubling, of psychic numbing, that characterizes the end of the millennium. If we can't act on knowledge, then we can't survive without ignorance.
Read quote -
In my heart, I am American, and I believe I have a free will and can take charge of my own destiny.
Read quote -
What is it that frightens us about a novel of causes, and conversely, does fiction have to exist in some suspended, apolitical landscape in order to be literary? Can it not politically and temporally specific and still be in good literary taste? We are leery of literature that smacks of the polemic, instructional, or prescriptive, and I guess rightly so--it's a drag to be lectured to--but what does that imply about our attitudes towards intellectual inquiry? While I enjoy reading kitchen-table novels in which characters are distilled to their emotional essence and their lives stripped of politics and commerce, it simply is not reflective of my experience. I see our lives as being a part of an enormous web of interconnected spheres, where the workings of the larger social, political, and corporate machinery impact something as private and intimate as the descent of an egg through a woman's fallopian tube. This is the resonance I want to conjure in my books.I want to write novels that engage the emotions and the intellect, and that means going head to head with the chaos of evils and issues that threaten to overpower us all. And if they threaten to overpower the characters, then I have to make the characters stronger.
Read quote -
Patience was part of his nature, and he accepted his lot as a short-lived mammal, scurrying in and out amid the roots of the giants.
Read quote -
Do all kids have to worry about their parents' mental health? The way society is set up, parents are supposed to be the grown-up ones and look after the kids, but a lot of times it's the other way around.
Read quote -
We're by-products of the mid-twentieth century, Oliver said. Who isn't?
Read quote -
By changing our history and our memory, they try to erase all our shame.
Read quote -
She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
Read quote -
True freedom comes from being unknown.
Read quote -
We place such crazy importance on physical appearance in our image-obsessed culture, on youth and beauty to define our sense of self-worth, that aging, by default, becomes a kind of defect, something secret and corrosive and shameful.
Read quote