Sara Zarr
Writer
1970-10-03
Quotes by Sara Zarr
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*Story of a Girl By:Sara Zarr*Lexile:760 SRC:12 pts.*Personal Issues*Choice of getting a job to move out*Major Choice*In Process of making it happen*It effects her bother his girlfriend and their baby, because they will move out with her too.*Sometimes we need to take choices that will make your life easier and also others.
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We'd walk home together in the foggy summer night and I'd tell her about sex; the good stuff, like how it could be warm and exciting--it took you away--and the not-so-good things, like how once you showed someone that part of yourself, you had to trust them one thousand percent and anything could happen. Someone you thought you knew could change and suddenly not want you, suddenly decide you made a better story than a girlfriend. Or how sometimes you might think you wanted to do it and then halfway through or afterward realize no, you just wanted the company, really; you wanted someone to choose you, and the sex part itself was like a trade-off, something you felt like you had to give to get the other part. I'd tell her that and help her decide. I'd be a friend.
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And I don't just mean that they change you. A lot of people can change you— the first kid who called you a name, the first teacher who said you were smart, the first person who crowned you best friend. It's the change you remember, the firsts and what they meant, not really the people.
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Is that the destiny of all friendships, no matter how good they are? To die out or fade away? To end?
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Forgetting isn't enough. You can paddle away from the memories and think they are gone. But they will keep floating back, again and again and agian. They circle you, like sharks. Until, unless, something, someone? Can do more than just cover the wound.
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Okay, then, what was he like? Just give me something to go on so that I have a shot at him!''A shot at him? Are you on an elk hunt?
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I wonder how you're supposed to know the exact moment when there's no more hope.
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Because love, love is never finished. It circles and circles, the memories out of order and not always complete.
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We'd walk home together in the foggy summer night and I'd tell her about sex; the good stuff, like how it could be warm and exciting--it took you away--and the not-so-good things, like how once you showed someone that part of yourself, you had to trust them one thousand percent and anything could happen. Someone you thought you knew could change and suddenly not want you, suddenly decide you made a better story than a girlfriend. Or how sometimes you might think you wanted to do it and then halfway through or afterward realize no, you just wanted the company, really; you wanted someone to choose you, and the sex part itself was like a trade-off, something you felt like you had to give to get the other part. I'd tell her that and help her decide. I'd be a friend.
Read quote -
And I don't just mean that they change you. A lot of people can change you— the first kid who called you a name, the first teacher who said you were smart, the first person who crowned you best friend. It's the change you remember, the firsts and what they meant, not really the people.
Read quote -
*Story of a Girl By:Sara Zarr*Lexile:760 SRC:12 pts.*Personal Issues*Choice of getting a job to move out*Major Choice*In Process of making it happen*It effects her bother his girlfriend and their baby, because they will move out with her too.*Sometimes we need to take choices that will make your life easier and also others.
Read quote -
Forgetting isn't enough. You can paddle away from the memories and think they are gone. But they will keep floating back, again and again and agian. They circle you, like sharks. Until, unless, something, someone? Can do more than just cover the wound.
Read quote -
Because love, love is never finished. It circles and circles, the memories out of order and not always complete.
Read quote -
Okay, then, what was he like? Just give me something to go on so that I have a shot at him!''A shot at him? Are you on an elk hunt?
Read quote -
I wonder how you're supposed to know the exact moment when there's no more hope.
Read quote -
Is that the destiny of all friendships, no matter how good they are? To die out or fade away? To end?
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Is it good, bad, or neutral to recognize thematic patterns in your own work? When it comes to recurring themes, I'm of the mind that knowledge is probably not power, at least in terms of the work.
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When my characters are questioning things, it's not me leading up to an answer; it's me asking those same questions and letting the characters' lives unfold and seeing where it takes them.
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