Thomas Pynchon

Writer

1937-05-08

Quotes by Thomas Pynchon

As if somehow irony,— she recaps for Maxine, —as practiced by a giggling mincing fifth column, actually brought on the events of 11 September, by keeping the country insufficiently serious — weakening its grip on —reality.' So all kinds of make-believe— forget the delusional state the country's in already— must suffer as well. Everything has to be literal now.—"Yeah, the kids are even getting it at school." Ms. Cheung, an English teacher who if Kugelblitz were a town would be the neighborhood scold, has announced that there shall be no more fictional reading assignments. Otis is terrified, Ziggy less so. Maxine will walk in on them watching Rugrats or reruns of Rocko's Modern Life, and they holler by reflex, "Don't tell Ms. Cheung!""You notice," Heidi continues, —how —reality' programming is suddenly all over the cable, like dog shit? Of course, it's so producers shouldn't have to pay real actors scale. But wait! There's more! Somebody needs this nation of starers believing they're all wised up at last, hardened and hip to the human condition, freed from the fictions that led them so astray, as if paying attention to made-up lives was some form of evil drug abuse that the collapse of the towers cured by scaring everybody straight again.
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The moment of assassination is the moment when power and the ignorance of power come together, with Death as validator.
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Beneath the rubato of the day abided a stern pulse beating on, ineluctable, unforgiving, whereby whatever was evaded or put off now had to be made up for later, and at a higher level of intensity.
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Let the peace of this day be here tomorrow when I wake up.
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All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all.
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The dying tapers off now and then, but the War is still killing lots and lots of people. Only right now it is killing them in more subtle ways. Often in ways that are too complicated, even for us, at this level, to trace. But the right people are dying, just as they do when armies fight. The ones who stand up, in Basic, in the middle of the machine-gun pattern. The ones who do not have faith in their Sergeants. The ones who slip and show a moment's weakness to the Enemy. These are the ones the War cannot use, and so they die. The right ones survive. The others, it's said, even know they have a short life expectancy. But they persist in acting the way that they do. Nobody knows why. Wouldn't it be nice if we could eliminate them completely? Then no one would have to be killed in the War.
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The big scandal around IG Farben this week is the unlucky subsidiary Spottbilligfilm AG, whose entire management are about to be purged for sending to OKW weapons procurement a design proposal for a new airborne ray which could turn whole populations, inside a ten-kilometer radius, stone blind. An IG review board caught the scheme in time. Poor Spottbilligfilm. It had slipped their collective mind what such a weapon would do to the dye market after the next war.
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They plot, they plot, sleeping or afoot they never let up.
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It turns out to be the new Planet, which, a decade and a half later, will be known first as the Georgian, and then as Herschel, after its official Discoverer, and more lately as Uranus.
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Laboring through a world every day more stultified, which expected salvation in codes and governments, ever more willing to settle for suburban narratives and diminished payoffs--what were the chances of finding anyone else seeking to transcend that, and not even particularly aware of it?
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But as we all know, rock —n' roll will never die, and education too, as Henry Adams always sez, keeps going on forever.
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Everybody gets told to write about what they know. The trouble with many of us is that at the earlier stages of life we think we know everything- or to put it more usefully, we are often unaware of the scope and structure of our ignorance.
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It is simply wrong to begin with a theme, symbol or other abstract unifying agent, and then try to force characters and events to conform to it.
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Sometimes things aren't very clear, that's all. Things look like they're going against us, and though it always turns out fine in the end, and we can always look back and say oh of course it had to happen that way, otherwise so-and-so wouldn't have happened--still while it's happening, in my heart I keep getting this terrible fear, this empty place, and it's very hard at such times really to believe in a Plan with a shape bigger than I can see...
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As if the dead really do persist, even in a bottle of wine.
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And one cried wee, wee, wee, all the way— Jessica breaking down in a giggle as he reaches for the spot along her sweatered flank he knows she can't bear to be tickled in. She hunches, squirming, out of the way as he rolls past, bouncing off the back of the sofa but making a nice recovery, and by now she's ticklish all over, he can grab an ankle, elbow— But a rocket has suddenly struck. A terrific blast quite close beyond the village: the entire fabric of the air, the time, is changed— the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders. Their hearts pound. Eardrums brushed taut by the overpressure ring in pain. The invisible train rushes away close over the rooftop.....
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Shit, money, and the World, the three American truths, powering the American mobility, claimed the Slothrops, clasped them for good to the country's fate. But they did not prosper... about all they did was persist
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There are two more turds, smaller ones, and when he has eaten these, residual shit to lick out of her anus. He prays that she'll let him drop the cape over himself, to be allowed, in the silk-lined darkness, to stay a while longer with his submissive tongue straining upward into her asshole. But she moves away. The fur evaporates from his hands. She orders him to masturbate for her. She has watched Captain Blicero with Gottfried, and has learned the proper style.
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Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.
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It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.
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