Tony Kushner

Playwright

1956-07-16

Books by Tony Kushner

Angels in America

A Gay Fantasia on National Themes
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Angels in America, Part One

Millennium Approaches
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Angels in America, Part Two

Perestroika
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Quotes by Tony Kushner

You can't live in the world without an idea of the world, but it's living that makes the ideas. You can't wait for a theory, but you have to have a theory.
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The Great Question before us is: Are we doomed? The Great Question before us is: Will the Past release us? The Great Question before us is: Can we Change? In Time? And we all desire that Change will come.
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I just wondered what a thing it would be...if overnight everything you owe anything to, justice, or love, had really gone away. Free.It would be...heartless terror. Yes. Terrible, and...Very great. To shed your skin, every old skin, one by one and then walk away, unemcumbered, into the morning.
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Night flight to San Francisco; chase the moon across America. God, it's been years since I was on a plane. When we hit 35,000 feet we'll have reached the tropopause, the great belt of calm air, as close as I'll ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules of the stuff of ozone, and the outer rim absorbed them and was repaired. Nothing's lost forever. In this world, there's a kind of painful progress. Longing for what we've left behind, and dreaming ahead. At least I think that's so.
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Harper: In your experience of the world. How do people change?Mormon Mother: Well it has something to do with God so it's not very nice.God splits the skin with a jagged thumbnail from throat to belly and then plunges a huge filthy hand in, he grabs hold of your bloody tubes and they slip to evade his grasp but he squeezes hard, he insists, he pulls and pulls till all your innards are yanked out and the pain! We can't even talk about that. And then he stuffs them back, dirty, tangled and torn. It's up to you to do the stitching. Harper: And then up you get. And walk around.Mormon Mother: Just mangled guts pretending.Harper: That's how people change.
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I just wondered what a thing it would be...if overnight everything you owe anything to, justice, or love, had really gone away. Free.It would be...heartless terror. Yes. Terrible, and...Very great. To shed your skin, every old skin, one by one and then walk away, unemcumbered, into the morning.
Read quote
The Great Question before us is: Are we doomed? The Great Question before us is: Will the Past release us? The Great Question before us is: Can we Change? In Time? And we all desire that Change will come.
Read quote
You can't live in the world without an idea of the world, but it's living that makes the ideas. You can't wait for a theory, but you have to have a theory.
Read quote
Night flight to San Francisco; chase the moon across America. God, it's been years since I was on a plane. When we hit 35,000 feet we'll have reached the tropopause, the great belt of calm air, as close as I'll ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules of the stuff of ozone, and the outer rim absorbed them and was repaired. Nothing's lost forever. In this world, there's a kind of painful progress. Longing for what we've left behind, and dreaming ahead. At least I think that's so.
Read quote
Harper: In your experience of the world. How do people change?Mormon Mother: Well it has something to do with God so it's not very nice.God splits the skin with a jagged thumbnail from throat to belly and then plunges a huge filthy hand in, he grabs hold of your bloody tubes and they slip to evade his grasp but he squeezes hard, he insists, he pulls and pulls till all your innards are yanked out and the pain! We can't even talk about that. And then he stuffs them back, dirty, tangled and torn. It's up to you to do the stitching. Harper: And then up you get. And walk around.Mormon Mother: Just mangled guts pretending.Harper: That's how people change.
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A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
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Unions are susceptible to the same ills that befall all human societies.
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My back went out and I gained 40 pounds while sweating over 'Perestroika.' It was incredibly hard, the hardest thing I had to do before the screenplay to 'Lincoln.'
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If you're gay and you can't hold hands, or you're black and you can't catch a taxi, or you're a woman and you can't go into the park, you are aware there's a menace. That's costly on a psychic level. The world should be striving to make all its members secure.
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If you have value as an artist it's probably going to be in your capacity to let things inside you get past things that are placed there to keep you from telling the truth. The more you see things as clearly and coldly as you can, the more value you're going to have.
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In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications.
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When really writing I'm not a good friend. Because writing disorganizes the social self, you become atomized. It scrambles you, sometimes to the point that I'm incapable of speech. I feel that if I start speaking, I'll lose the writing, like getting off the treadmill.
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Who knows better than artists how much ugliness there is on the way to beauty, how many ghastly, mortifying missteps, how many days of granitic blockheadedness and dismaying ineptitude there is on the way to accomplishment, how partial all accomplishment is, how incomplete?
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I find writing very difficult. It's hard and it hurts sometimes, and it's scary because of the fear of failure and the very unpleasant feeling that you may have reached the limit of your abilities.
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But I think what made me go into theater was seeing my mother onstage. The first thing she did was Mrs. Frank in 'The Diary of Anne Frank.' The second thing she did was a play about Freud called 'The Far Country.' She played a paralyzed woman in Vienna who goes to see Freud.
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