Victor Hugo

Novelist

1802-02-26 – 1885-05-22

Victor Hugo was a French novelist, poet, and dramatist and a central figure of French Romanticism. He is best known for Les Miserables and The Hunchback of Notre-Dame. His work combined literary innovation with strong social and political engagement.

Quotes by Victor Hugo

The sins of women and children, domestic servants and the weak, the poor and the ignorant, are the sins of the husbands and fathers, the masters, the strong and the rich and the educated.
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Common right is nought but the protection of all radiating over the right of each. This protection of all is termed Fraternity. The point of intersection of all these aggregated sovereignties is called Society. This intersection being a junction, this point is a knot. Hence comes what is called the social tie.
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He set out for Toulon. He arrived there, after a journey of twenty-seven days, on a cart, with a chain on his neck. At Toulon he was clothed in the red cassock. All that had constituted his life, even to his name, was effaced; he was no longer even Jean Valjean; he was number 24,601.
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Yes, the brutalities of progress are called revolutions. When they are done, we recognize one thing: that the human race has been badly manhandled, but that it has moved forward.
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Those who are ignorant should be taught all you can teach them; society is to blame for not providing free public education; and society will answer for the obscurity it produces. If the soul is left in darkness, sin will be committed. The guilty party is not he who has sinned but he who created the darkness in the first place.
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We do not claim that the portrait we are making is the whole truth, only that it is a resemblance.
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In the morning, when he entered my room, I grumbled, but he was like the sunlight to me, all the same. One cannot defend oneself against those brats. They take hold of you, they hold you fast, they never let you go again. The truth is, that there never was a cupid like that child.
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Mother's arms are made of tenderness, and sweet sleep blesses the child who lies within.
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A man may beg, but a woman has to sell.
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Daydream, which is to thought as the nebula is to the star, borders on sleep, and is concerned with it as its frontier. An atmosphere inhabited by living transparencies: there's a beginning of the unknown. But beyond it the Possible opens out, immense.Other beings, other facts, are there. No supernaturalism, only the occult continuation of infinite nature. . . . Sleep is in contact with the Possible, which we also call the improbable. The world of the night is a world. Night, as night, is a universe. . . . The dark things of the unknown world become neighbors of man, whether by true communication or by a visionary enlargement of the distances of the abyss . . . and the sleeper, not quite seeing, not quite unconscious, glimpses the strange animalities, weird vegetations, terrible or radiant pallors, ghosts, masks, figures, hydras, confusions, moonless moonlights, obscure unmakings of miracle, growths and vanishings within a murky depth, shapes floating in shadow, the whole mystery which we call Dreaming, and which is nothing other than the approach of an invisible reality. The dream is the aquarium of Night.
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The realities of life do not allow themselves to be forgotten.
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In the chaos of sentiments and passions which defend a barricade, there is something of everything; there is bravery, youth, honor, enthusiasm, the ideal, conviction, the eager fury of the gamester, and above all, intervals of hope.
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Lend your ear then to this tutti of steeples; diffuse over the whole the buzz of half a million of human beings, the eternal murmur of the river, the infinite piping of the wind, the grave and distant quartet of the four forests placed like immense organs on the four hills of the horizon; soften down, as with a demi-tint, all that is too shrill and too harsh in the central mass of sound, and say if you know any thing in the world more rich, more gladdening, more dazzling than that tumult of bells; than that furnace of music; than those ten thousand brazen tones breathed all at once from flutes of stone three hundred feet high; than that city which is but one orchestra; than that symphony rushing and roaring like a tempest.
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Phoebus de Chateaupers likewise came to a 'tragic end': he married.
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Do not economize on the hymeneal rites; do not prune them of their splendor, nor split farthings on the day when you are radiant. A wedding is not house-keeping.
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He left her. She was dissatisfied with him. He had preferred to incur her anger rather than cause her pain. He had kept all the pain for himself.
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Nature is pitiless; she never withdraws her flowers, her music, her fragrance and her sunlight, from before human cruelty or suffering. She overwhelms man by the contrast between divine beauty and social hideousness. She spares him nothing of her loveliness, neither wing or butterfly, nor song of bird; in the midst of murder, vengeance, barbarism, he must feel himself watched by holy things; he cannot escape the immense reproach of universal nature and the implacable serenity of the sky. The deformity of human laws is forced to exhibit itself naked amidst the dazzling rays of eternal beauty. Man breaks and destroys; man lays waste; man kills; but the summer remains summer; the lily remains the lily; and the star remains the star....As though it said to man, 'Behold my work. and yours.
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A man is not idle because he is absorbed in thought. There is visible labor and there is invisible labor.
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On coming out of the chapel, a well can be seen on the left. There are two in this yard. You ask, Why is there no bucket and no pulley to this one? Because no water is drawn from it now. Why is no more water drawn from it? Because it is full of skeletons.
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History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.
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