Artists are the flowers of our world. The best ones are those who can stand out from the crowd by becoming a memorable flower — one that moves us, inspires us, and makes us think hard. A flower with no smell to it is just something to look at. A flower that emits a beautiful fragrance is the one we want in our homes and on our walls. Your mission as an artist, is to become the best-smelling flower in the world, so that when the day finally comes when you are plucked from the ground, the world will cry for the loss of your mind-stimulating fragrance. Be different. Be original. Nobody will remember a specific flower in garden loaded with thousands of the same yellow flower, but they will remember the one that managed to change its color to purple.

Every command leaves behind a painful sting in the person who is forced to carry it out.

Every command consists of momentum and sting. The momentum forces the recipient to act, and to act in accordance with the content of the command; the sting remains behind in him. When a command functions normally and as one expects, there is nothing to be seen of the sting; it is hidden and unsuspected and may only reveal its existence by some faint, scarcely perceptible recalcitrance before the command obeyed.

It is always the enemy who started it, even if he was not the first to speak out, he was certainly planning it; and if he was not actually planning it, he was thinking of it; and, if he was not thinking of it, he would have thought of it.

I couldn't imagine what it would be like to be one of so many, to have not just parents and siblings but cousins and aunts and uncles, an entire tribe to claim as your own. Maybe you would feel lost in the crowd. Or sheltered by it. Whatever the case, one things was for sure: like it or not, you'd never be alone.

This music ebbs and flows, irregular, sad. It reminds me, weirdly, of watching the ocean during a bad storm, the lashing, crashing waves and the spray of sea foam against the docks; the way it takes your breath away, the power and the hugeness of it.That's exactly what happens as I listen to the music, as I come up over the final crest of hill, and the half-ruined barn and collapsing farmhouse fan out in front of me, just as the music swells, a wave about to break: The breath leaves my body all at once, and I'm struck dumb by the beauty of it. For a second it seems to me like I really am looking down at the ocean— a sea of people, writhing and dancing in the light spilling down from the barn like shadows twisting up around a flame.

She had forgotten about this, the narcotic of the crowd. This is why you came to hear music. To stop being yourself, to let that thing that you supposedly were go, and just be part of a mob, synchronized by the heavy beat, mesmerized by a singer with big smeary red lips, her spooky chant.

I do not like the raw sound of the human voice in unison unless it is under the discipline of music.

And it is because we all of us know of this sombre power and its perilous manifestations, that we stand in so deep a dread of silence. We can bear, when need must be, the silence of ourselves, that of isolation: but the silence of many - silence multiplied - and above all the silence of a crowd - these are supernatural burdens, whose inexplicable weight brings dread to the mightiest soul.

As a recluse I couldn't bear traffic. It had nothing to do with jealousy, I simply disliked people, crowds, anywhere, except at my readings. People diminished me, they sucked me dry.

The intelligence of that creature known as a crowd is the square root of the number of people in it.

In the evening I came home and read about the Messina earthquake, and how the relief ships arrived, and the wretched survivors crowded down to the water's edge and tore each other like wild beasts in their rage of hunger. The paper set forth, in horrified language, that some of them had been seventy-two hours without food. I, as I read, had also been seventy-two hours without food; and the difference was simply that they thought they were starving.

Mr. Brown had thought of nothing but numbers. He should have known that the kingdom of God did not depend on large crowds. Our Lord Himself stressed the importance of fewness. Narrow is the way and few the number. To fill the Lord's holy temple with an idolatrous crowd clamoring for signs was a folly of everlasting consequence. Our Lord used the whip only once in His life - to drive the crowd away from His church.

I won't tell you that the world matters nothing, or the world's voice, or the voice of society. They matter a good deal. They matter far too much. But there are moments when one has to choose between living one's own life, fully, entirely, completely— or dragging out some false, shallow, degrading existence that the world in its hypocrisy demands. You have that moment now. Choose!

Society tells me to follow my own truth, but I don't let society tell me what to do. If you need someone to tell you that, chances are you're part of the crowd that will move on to the next fashion that comes around.

Take your own route, not the route everyone is using or taking. Create your own way; there is always traffic on the common route.

If you want to miss your crown, follow the crowd. If you want to wear the crown, go alone and be yourself.

Don't follow the crowd. The side of the majority is the riskiest place to have dust thrown on your uniqueness.

A great number isn't bad though, but doesn't take numbers to change the world.

Step out of the crowd of average people. Enter that game and change the values on the scoreboard.