But these days, I get a lot more attention and airplay from the Adult Contemporary and country radio stations, and I feel comfortable saying I'm a part of that.

I know quickly whether a guy is boyfriend material. If I can have a good time doing absolutely nothing with him, then that's boyfriend material for me. Like if we're able to have fun at a gas station. I've had some really good times at gas stations.

When it comes to the video channels and the programs, the radio stations, the music is geared towards kids, and it's made by kids.

Anything that could be conceived of that would separate black people from white people was devised and codified by someone in some state in the South. There were colored and White waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know.

You know what the lowest rated episode we ever had was? Where Captain Kirk kissed Uhuru - a white man kissing an African-American woman. All the stations in the American South - in Georgia, Alabama, Mississippi, Louisiana - refused to air it. And so our ratings plummeted.

Originally, I think, I wanted to be an actor. But I got into broadcasting by accident, if you will, because I needed money to pay for my college education. I applied for a summer announcing job at a couple of radio stations.

I grew up learning Russian and translating English songs when I became a teenager, we got to listen to West Germany radio stations, and learning lyrics with picture book. These are my first experiences with the English language.

There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday.

The last time I spoke with Robert was back in May. When his wife was murdered, I talked to several radio stations in defense of him because I know how Bobby Blake really is, and as far as I'm concerned, there's no murder in his heart.

The great jazz radio stations have a duty to continue evolving their format just as audiences ask the musicians to evolve. How do you do that with a form of music that has 100 years of recorded history? How do you also keep it contemporary so you don't isolate your listeners? These are major questions.

Admiration of the proletariat, like that of dams, power stations, and aeroplanes, is part of the ideology of the machine age.

Radio stations play what they believe is in, and they all talk to each other.

I loved every second of Catholic church. I loved the sickly sweet rotting-pomegranate smells of the incense. I loved the overwrought altar, the birdbath of holy water, the votive candles; I loved that there was a poor box, the stations of the cross rendered in stained glass on the windows.

Broadcast radio was entering its own golden age during the Depression, with live programming on stations all through the day. Local stations needed singers, musicians, announcers, and whipcord personalities, along with Christian clergy to give prayers and pundits to speak on world affairs.

I believe that the only way that the human race is gonna survive is to start colonizing space and setting up colonies on the moon, and then space stations.

In Hawaii, some of the biggest radio stations are reggae. The local bands are heavily influenced by Bob Marley.

Once you reach a certain age with radio stations, you've got to be an oldie but a goodie. If you wanna do something new, you've got to find a new way to present it to people.

At a tiny station in New Albany, Indiana, which is right across from the river from Louisville, Kentucky, where I grew up. The Louisville stations were loath to hire beginners, so I had to go across the river.

I've never come into anything successful before. I've always been hired by horrible radio stations with horrendous reputations and nothing to lose.

We didn't have the Grand Ole Opry or country radio stations in Nova Scotia when I was growing up.