There is a huge misconception that streaming and creating content for 12 hours straight, 7 days a week will make you successful. While that process can certainly bring in higher numbers early on, it will absolutely lead to burn out... I choose to invest in other parts of my life on both a personal level and business front as well.

It turns out that all Netflix streaming peak on Saturday night can fit inside a single fiber optic, which is the size of one human hair.

We make movies to be watched in theatres. Online streaming is more of a bonus, to revisit the film.

I founded Netflix. I've built it steadily over 12 years now, first with DVD becoming profitable in 2002, a head-to-head ferocious battle with Blockbuster and evolving the company toward streaming.

With streaming concerts, we can all be together at the same time: the whole world, all at once, can be sitting front row from wherever they are in the world.

You have to make time for fans, and you really need to appreciate them. You have to remember that if they weren't buying, playing, or streaming your music, you wouldn't be in the charts, and people wouldn't be hearing your music.

I remember one day sitting at the pool and suddenly the tears were streaming down my cheeks. Why was I so unhappy? I had success. I had security. But it wasn't enough. I was exploding inside.

One can not reflect in streaming water. Only those who know internal peace can give it to others.

What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.

I am extremely devoted to Amazon Prime - which offers speedier free deliveries, free movie streaming and other benefits for an annual fee - but I don't think it is great for groceries.

The idea of a streaming service, like Netflix for music, I'm not totally against it. It's just we won't put all of our music on it until there are enough subscribers for it to make sense.

There's a lot of artists whose contracts are written in such a way that they do not get paid for what's happening on streaming services.

Most companies that are great at something - like AOL dialup or Borders bookstores - do not become great at new things people want (streaming for us) because they are afraid to hurt their initial business.

I like to think of Everest as a great mountaineering challenge, and when you've got people just streaming up the mountain - well, many of them are just climbing it to get their name in the paper, really.

Honestly, there are people in the streaming industry who don't find misogyny deplorable, who don't think it's a big deal, who don't think deepfaking should be punishable in any way.

It's been a very fun ride, but I do also recognise that putting yourself out there so much, especially streaming, revolves around this constant feedback loop of people telling you what they think of you.

I just don't want to participate in the rat race of streaming.

The royalties from downloading are bad enough but the royalties from streaming are non-existent.

Competing and streaming 'Fortnite' all night at the most iconic building in Chicago, a city close to my heart, is a dream come true.

There's a finite market for DVD-by-mail, and the growth over the next 10 years will be in streaming.