I once had a gig in Gothenburg and went on the most unbelievable theme park ride, which was a rollercoaster built into a mountain that went through plants and tunnels. It was huge and a thrill to go on.

After spending my pre-teen years as the singer in a bluegrass band, I convinced my parents to let me drop out of high school and start homeschool, so I could take a job singing in the country show at Dolly Parton's theme park, Dollywood.

I did as much theater as I could. I worked at a theme park and a Bible theater and a community theater.

As far as creating my own theme park, it would probably just have to do with things I like, like my dog and other people's dogs, and lots of dogs and cats.

To some degree, I was very dubious of the 'Pirates of the Caribbean' idea - taking a theme park ride and turning into a film - even though they seemed to end up being quite fun films.

I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining.

It's a very tough time for the playwright. Broadway has become almost a musical comedy theme park with all these long-running shows.

We are starting to see more and more Roblox games that offer creation. An example would be Theme Park Tycoon, which lets anyone construct a theme park on any device. You get to build roller coasters and theme parks, your work is saved, and when you come back, you can keep working on your creation.

My mind is like a theme park, because it's fun and there's lots of cool stuff and you can take rides.

In popular culture, there isn't any other conception of Islam and Muslims other than what you see on the news... When you go to a theme park, you see Muslims riding roller coasters and eating ice cream. Why doesn't anybody think of those Muslims when they think of Muslims?

The action comedy 'Pirates of the Caribbean: Curse of the Black Pearl' raises one of the most overlooked and important cinematic questions of our time: Can a movie maintain the dramatic integrity of a theme park ride?

When I went around promoting 'Crumb,' there would be days I'd wake up in, like, Houston or Cleveland, and I'd step outside the hotel and get no idea where I was. It all looks the same: one big corporate, consumer theme park. It's all, 'Here's the Starbucks, and here's the Gap, and we'll go over to Banana Republic and the Cineplex.'

New York is a theme park for people with IQs over 108.

October's a busy month for me. I usually find myself working but I also try to do one or two conventions in that period. Then whatever city I'm in, they want to drag me to their local horror theme park.

If you go to a theme park, there will be so many rides. You will get an exciting experience in each of them. Like that, every film is an experience that entertains you. Some films will touch your heart. Some will touch you emotionally. There is nothing more than that.

We're so surrounded by so much of this marketing and just being told on a regular basis that you have to like this, you will go here, you want this. I found that to me that fit perfectly into what a theme park of dinosaur would be about.

I love New York; I love the city. It's impossible. It's a theme park of a city, isn't it.

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

Disney's something to be a little alarmed about. It's not just a little theme park anymore. It's now an ethic and outlook and strategy that goes way beyond central Florida.

If I could do anything, I think a theme park. Because the world of Lisa Frank really is a world. And I think, before I die, we should have that world someplace, not just on paper. I think that would be pretty awesome.