It was not till I experimented with seeds plucked straight from a growing plant that I had my first success...the first thrill of creation...the first taste of blood. This, surely, must be akin to the pride of paternity...indeed, many soured bachelors would wager that it must be almost as wonderful to see the first tiny crinkled leaves of one's first plant as to see the tiny crinkled face of one's first child.

In Summer there were white and damask roses, and the smell of thyme and musk. In Spring there were green gooseberries and throstles [thrush], and the flowers they call ceninen [daffodils]. And leeks and cabbages also grew in that garden; and between long straight alleys, and apple-trained espaliers, there were beds of strawberries, and mint, and sage.

The more serious about gardening I became, the more dubious lawns seemed. The problem for me was not, as it was for my father, the relation to my neighbors that a lawn implied; it was the lawn's relationship to nature. For however democratic a lawn may be with respect to one's neighbors, with respect to nature it is authoritarian. Under the mower's brutal indiscriminate rotor, the landscape is subdued, homogenized, dominated utterly. I became convinced that lawn care had about as much to do with gardening as floor waxing, or road paving. Gardening was a subtle process of give and take with the landscape, a search for some middle ground between culture and nature. A lawn was nature under culture's boot.Mowing the lawn, I felt like I was battling the earth rather than working it; each week it sent forth a green army and each week I beat it back with my infernal machine. Unlike every other plant in my garden, the grasses were anonymous, massified, deprived of any change or development whatsoever, not to mention any semblance of self-determination. I ruled a totalitarian landscape.Hot monotonous hours behind the mower gave rise to existential speculations. I spent part of one afternoon trying to decide who, in the absurdist drama of lawn mowing, was Sisyphus. Me? A case could certainly be made. Or was it the grass, pushing up through the soil every week, one layer of cells at a time, only to be cut down and then, perversely, encouraged (with fertilizer, lime, etc.) to start the whole doomed process over again? Another day it occurred to me that time as we know it doesn't exist in the lawn, since grass never dies or is allowed to flower and set seed. Lawns are nature purged of sex and death. No wonder Americans like them so much.

It was in her garden that whatever physical grace Abigail St. Croix possessed asserted itself. She moved among her flowers with consummate natural fluidity, enjoying the incommunicable pleasures of growing things with the patience and concentration of a watchmaker. In this, her small, green country, surrounded by an embrasure of old Charleston brick, there were camellias of distinction, eight discrete varieties of azaleas, and a host of other flowers, but she directed her prime attention to the growing of roses. She had taught me to love flowers since I had known her; I had learned that each variety had its own special personality, its own distinctive and individual way of presenting itself to the world. She told me of the shyness of columbine, the aggression of ivy, and the diseases that affected gardenias. Some flowers were arrogant invaders and would overrun the entire garden if allowed too much freedom. Some were so diffident and fearful that in their fragile reticence often lived the truest, most infinitely prized beauty. She spoke to her flowers unconsciously as we made our way to the roses in the rear of the garden. "You can learn a lot from raising roses, Will. I've always told you that." "I've never raised a good weed, Abigail. I could kill kudzu.""Then one part of your life is empty," she declared. —There's a part of the spirit that's not being fed.

Tree planting is always a utopian enterprise, it seems to me, a wager on a future the planter doesn't necessarily expect to witness.

In the same way that the picturesque designers were always careful to include some reminder of our mortality in their gardens -- a ruin, sometimes even a dead tree -- the act of leaving parts of the garden untended, and calling attention to its margins, seems to undermine any pretense to perfect power or wisdom on the part of the gardener. The margins of our gardens can be tropes too, but figures of irony rather than transcendence -- antidotes, in fact, to our hubris. It may be in the margins of our gardens that we can discover fresh ways to bring our aesthetics and our ethics about the land into some meaningful alignment.

Novels and gardens, she says. I like to move from plot to plot.

My garden is my most beautiful masterpiece

May I a small house and large garden have;And a few friends,And many books, both true.

The green thumb is equable in the face of nature's uncertainties; he moves among her mysteries without feeling the need for control or explanations or once-and-for-all solutions. To garden well is to be happy amid the babble of the objective world, untroubled by its refusal to be reduced by our ideas of it, its indomitable rankness.

To own a bit of ground, to scratch it with a hoe, to plant seeds, and watch their renewal of life,-this is the commonest delight of the race, the most satisfactory thing a man can do.

I like muddling things up; and if a herb looks nice in a border, then why not grow it there? Why not grow anything anywhere so long as it looks right where it is? That is, surely, the art of gardening.

Successful gardening is not necessarily a question of wealth, it is a question of love, taste, and knowledge.

There is always something else to do. A gardener should have nine times as many lives as a cat.

A weed is no more than a flower in disguise, Which is seen through at once, if love give a man eyes.

The only solution is to plow everything under and live on pie.