...the Statue of Liberty's got this invitation: 'Give me your tired, your poor, your reeking homeless--''Huddled masses,' said Ira. 'Give me your tired, your poor, your huddled masses yearning to breathe free.'...Okay, fine. So like everybody in the old countries says, 'Hey, I'm a huddled mass,' and they all wanna come over.

Aye aye, I'm not one of these people that hate Christmas. Some people think it's all fake, but I like that kind of thing. It's like Las Vegas. I know this isnae really the Eiffel Tower and that isnae really the Statue of Liberty, but it's just a bit of fun.

I've asked every grammar schoolteacher in the nation to have their students write on the meaning of the Statue of Liberty. Wouldn't it be wonderful if the winning kid got up to the microphone and, in front of the world, had to dig into a pocket to pull out a crumpled sheet of paper containing the words that would move us all?

I run from Horatio Street down just past Battery Park City and back. It's amazing to run and see the Statue of Liberty and the ferries coming in. People think if you're not near Central Park, there's nowhere to go, but there's a whole ecosystem happening down here.

You sail into the harbor, and Staten Island is on your left, and then you see the Statue of Liberty. This is what everyone in the world has dreams of when they think about New York. And I thought, 'My God, I'm in Heaven. I'll be dancing down Fifth Avenue like Fred Astaire with Ginger Rogers.'

What was moving, I think, was the fact that the statue is a woman and not a heroic, manly figure. So for all her scale and immensity, there's something soft about the Statue of Liberty, something tender about her.

I launched Imperia at the Statue of Liberty because I wanted to use something symbolic. I like American society because it always wants to do something new and better.

Living in New York City, I am reminded by the Statue of Liberty that the United States of America has always welcomed those yearning to breathe free and seek a better life.

Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.

If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged.

As I looked up at the Statue of Liberty, I thought at that time, 'What a wonderful country.'

When my mother, sisters and I arrived on the shores of America when I was 8 years old, the boat on which we came, a freighter, passed the Statue of Liberty.

You would think with me living in Los Angeles I would go to the beach all the time, but we don't. It's the same as visiting the Statue of Liberty. If you don't live in N.Y.C., it's the first stop on your family vacation, but if you live there, you only go if you have relatives visiting from out of town!

I love my kitchen. For Manhattan, I have a rather decent-size kitchen, and it has an opening that gives out to the dining room, which has a window with a view of the city and in the distance the Statue of Liberty.

I grew up in New Jersey and never went up the Statue of Liberty.

The first time I saw America was from my perch on the mast of a Spanish naval ship, where I could spot the Statue of Liberty reaching proudly into the open, endless American sky.

I don't see any justification for the federal government owning land, other than the Statue of Liberty and maybe a few parks, maybe a few refuges. But to just own land to do nothing with it I think is a disservice to the Constitution.